by matthew scott harris
(schwenksville, pennsylvania)
February 28th, 1968 marked the date
Boyce Brandon Harris
(my octogenarian widower father)
purchased a small tract of land
Pooh would Winnie
constituting shadowed sliver
once hailing, hallmarking, harkening,
glorious vast "Glen Elm" estate,
which circa 1910 encompassed
a hundred plus acres of woodland
(including a pond frequented
by migrating Canadian Geese)
eventually zoned for commercial,
industrial, and residential development
(all in the name of productive land use)
particularly put into motion
courtesy Donald J. Neilson,
who transformed expansive woodland
rivaling shutterfly
sprouting like mushrooms towed stools
booming explosively
after ample precipitation
little houses on the hillside
little houses made of ticky tacky...
popped up overnight
transforming landscape
displacing flora and fauna with vinyl city
(minus spit of property papa bought)
manicured bumped uglies with wild wisp
reduced pristine niche leftover jot haven
squawking disoriented geese instincts
thwarted, where drained wetlands
a Arcadian past suburbanization
overlaying (palimpsest like) rural setting
trademark bucolic print Currier And Ives
stock in trade signature prints
landscape sparse human population
country aire sprinkled with family farms
fresh dairy, produce, vegetables
butchered animals free ranging
without synthetic injections
nostalgia faintly recreated here
Highland Manor Apartments
Schwenksville, Pennsylvania
a slip of country revered
against a Paul Ling urbanization
nothing appears familiar
retracing roadways now major highways
frequent moments breeds alienation
familiar ground confusing, frightening, and perplexing.